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Qingquan
'Brook' Zhao is an internationally acclaimed artist. Outside
his native China, his work has been exhibited in France, Holland,
Italy, Japan, Macao, and the U.S. A popular headliner at international
conventions, he has conducted programs in Australia, Canada,
France, Italy, Malaysia, India, and the United States.
Born and raised in Yangzhou, China's
ancient center of learning and the arts situated at the confluence
of the Grand Canal and the Yangtze River, Qingquan Zhao grew
up in an environment where the penjing tradition was very much
alive. At a young age, Zhao became intrigued by the miniature
trees and landscapes in his father's and grandfather's collections.
He is a third-generation bonsai and penjing artist.
Mr. Zhao is a master of composition.
He is particularly famous for his landscapes and forest arrangements.
In the 1970's, he pioneered a new form of penjing where trees
and stones are artistically grouped on white marble slabs to
evoke, in the viewer's eyes, tranquil mountain sceneries and
waterscapes. This form, water-and-land penjing, has since become
his signature work and has brought him worldwide fame. His work
with single trees, too, is outstanding. He particularly excels
at creating trees in the literati style.
Mr. Zhao brings a gentle and highly
sensitive approach to his art. During his demonstrations, audiences
of all ages become enthralled as they watch him transform moments
in time into timeless serenity and universal beauty by applying
time-honored principles of Chinese aesthetics and design. His
first English-language book, Penjing: Worlds of Wonderment. A
Journey Exploring an Ancient Chinese Art and Its History, Cultural
Background, and Aesthetics, published in 1997, has become a classic.
Mr. Zhao's work has earned him enthusiastic
praise from bonsai and penjing artists and collectors around
the world as well as from Chinese and Japanese garden designers.
For instance, British artist Colin Lewis has stated that "Mr.
Zhao will do for penjing what Kimura has done for driftwood bonsai",
and Douglas Roth of the Journal of Japanese Gardening has written
that Mr. Zhao's book "features some of the finest miniature
landscapes ever created. Just a brief glance is enough to recognize
Mr. Zhao's exceptional talent at assembling small rocks and plants
in a way that masterfully evokes the natural landscape. On a
small marble slab, Mr. Zhao creates shorelines, mountains, and
weather-worn rock compositions that are as soulful as a landscape
painting and as realistic as a nature photo."
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